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About Skolar Sans Arabic
Any prototype you can imagine, Skolar Sans can materialise. This industrious type family is more than just a versatile partner for our award-winning Skolar collection: it is a true sans-serif type system envisioned for the age of responsive design.
We developed Skolar Sans to accommodate contemporary typographers and the challenges they confront: an ever-changing spectrum of outputs and devices, in which serious typography can get lost. Skolar Sans is engineered to cope with complex editorial texts and data-rich layouts alike. Its construction is designed for easy reading, and its subtle personal style and a touch of flourish.
Skolar Sans Arabic brings this adaptability to the Arabic script: a contemporary low-contrast family built on the familiar typographic structures of the Naskh style, finely tuned across the weight variants to maintain clear legibility and deliver technical prowess no matter what the text setting. For Arabic, Persian, Urdu, and more than two dozen other languages, Skolar Sans Arabic will fit any composition, from wide-screen dashboards to compact mobile editorial designs.
Get Skolar Sans Arabic
| Standard licence: | Trial licence: | Need more? |
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| Buy Fonts Single font: 70 € Family of 10 fonts: 380 € | Get Free Trial Fonts | Contact the HQ |
Standard licence:
- desktop: 5 users
- web: up to 500K pageviews/monthly
- OTF, TTF, and WOFF2 formats
Trial licence:
- desktop: 1 user
- only for evaluation and testing
- OTF with some characters removed
Glyph table
OpenType features
Supported scripts and languages
Arabic
32 languages- Aimaq
- Algerian Arabic
- Baharna Arabic
- Chadian Arabic
- Dari
- Dehwari
- Dogri (individual language)
- Eastern Egyptian Bedawi Arabic
- Egyptian Arabic
- Gulf Arabic
- Hadrami Arabic
- Hazaragi
- Hijazi Arabic
- Iranian Persian
- Iraqi Arabic
- Libyan Arabic
- Moroccan Arabic
- Najdi Arabic
- North Levantine Arabic
- North Mesopotamian Arabic
- Omani Arabic
- Qashqa'i
- Saidi Arabic
- Sanaani Arabic
- South Levantine Arabic
- Standard Arabic
- Sudanese Arabic
- Sudanese Creole Arabic
- Talysh
- Ta’izzi-Adeni Arabic
- Tunisian Arabic
- Urdu
Latin
230 languages- Acheron
- Achinese
- Afar
- Afrikaans
- Amahuaca
- Amarakaeri
- Amis
- Andaandi, Dongolawi
- Anuta
- Ao Naga
- Aragonese
- Arbëreshë Albanian
- Arvanitika Albanian
- Asháninka
- Ashéninka Perené
- Asu (Tanzania)
- Balinese
- Basque
- Batak Dairi
- Batak Karo
- Batak Mandailing
- Batak Simalungun
- Batak Toba
- Bemba (Zambia)
- Bena (Tanzania)
- Bikol
- Bislama
- Borana-Arsi-Guji Oromo
- Breton
- Candoshi-Shapra
- Caquinte
- Caribbean Hindustani
- Cashibo-Cacataibo
- Catalan
- Cebuano
- Central Aymara
- Chamorro
- Chavacano
- Chiga
- Chiltepec Chinantec
- Chokwe
- Chuukese
- Cofán
- Congo Swahili
- Cornish
- Corsican
- Danish
- Dehu
- Eastern Abnaki
- Eastern Arrernte
- Eastern Oromo
- English
- Ese Ejja
- Falam Chin
- Faroese
- Fijian
- Filipino
- Finnish
- French
- Friulian
- Galician
- Garifuna
- German
- Gheg Albanian
- Gilbertese
- Gooniyandi
- Guadeloupean Creole French
- Gusii
- Haitian
- Hakha Chin
- Hani
- Hiligaynon
- Hopi
- Huastec
- Icelandic
- Iloko
- Indonesian
- Irish
- Italian
- Ixcatlán Mazatec
- Jamaican Creole English
- Japanese
- Javanese
- K'iche'
- Kabuverdianu
- Kalaallisut
- Kalenjin
- Kaonde
- Karelian
- Kekchí
- Kenzi, Mattokki
- Khasi
- Kimbundu
- Kinyarwanda
- Kituba (DRC)
- Kongo
- Konzo
- Kuanyama
- Kven Finnish
- Ladino
- Latin
- Ligurian
- Lombard
- Low German
- Luba-Lulua
- Luo (Kenya and Tanzania)
- Luxembourgish
- Madurese
- Makhuwa
- Makhuwa-Meetto
- Makonde
- Makwe
- Malagasy
- Malaysian
- Manx
- Maore Comorian
- Mapudungun
- Mauritian Creole
- Meriam Mir
- Meru
- Mezquital Otomi
- Minangkabau
- Mizo
- Mohawk
- Montagnais
- Murrinh-Patha
- Mwani
- Mískito
- Naga Pidgin
- Ndonga
- Neapolitan
- Ngazidja Comorian
- Nobiin
- Nomatsiguenga
- North Ndebele
- Northern Qiandong Miao
- Northern Uzbek
- Norwegian
- Nyankole
- Occitan
- Ojitlán Chinantec
- Orma
- Oroqen
- Paluan
- Pampanga
- Papantla Totonac
- Papiamento
- Pedi
- Pichis Ashéninka
- Piemontese
- Pijin
- Pintupi-Luritja
- Pipil
- Pohnpeian
- Portuguese
- Potawatomi
- Purepecha
- Quechua
- Romansh
- Rotokas
- Rundi
- Rwa
- Samburu
- Sango
- Sangu (Tanzania)
- Saramaccan
- Sardinian
- Scottish Gaelic
- Secoya
- Sena
- Seri
- Seselwa Creole French
- Shambala
- Shawnee
- Shipibo-Conibo
- Shona
- Sicilian
- Soga
- Somali
- Soninke
- South Ndebele
- Southern Aymara
- Southern Qiandong Miao
- Southern Sami
- Southern Sotho
- Spanish
- Sranan Tongo
- Standard Estonian
- Standard Malay
- Sundanese
- Swahili
- Swati
- Swedish
- Swiss German
- Tagalog
- Taita
- Tedim Chin
- Tetum
- Tetun Dili
- Tiv
- Tok Pisin
- Tonga (Zambia)
- Tosk Albanian
- Totontepec Mixe
- Tsonga
- Tswana
- Tumbuka
- Tzeltal
- Tzotzil
- Uab Meto
- Upper Guinea Crioulo
- Veps
- Võro
- Walloon
- Wangaaybuwan-Ngiyambaa
- Waray (Philippines)
- Warlpiri
- Wayuu
- West Central Oromo
- Western Abnaki
- Western Frisian
- Wik-Mungkan
- Wiradjuri
- Xhosa
- Yanesha'
- Yapese
- Yindjibarndi
- Yucateco
- Zulu
- Záparo
Credits
Leads
David Březina
Art-direction and production
David Březina is the managing director at Rosetta. While you may know him as the designer of the award-winning type family Skolar, he has also worked on custom typefaces for Adobe, Linotype (Monotype), Microsoft, Google, and others. So far, he has designed typefaces for Cyrillic, Greek, Gujarati, Devanagari, and various extensions of Latin. David holds a Master’s degree in computer science from Masaryk University in Brno (Czechia) and an MA in Typeface Design and PhD from the University of Reading (UK). His cross-disciplinary PhD thesis studied visual similarity and coherence of characters in typefaces for continuous reading in Latin, Cyrillic, and Devanagari scripts.
He has also been actively involved in writing, presenting, and conducting workshops on type and typography around the world.
Sláva Jevčinová
Design (Latin)
Sláva Jevčinová is a type and graphic designer from Slovakia. She holds an MA in type design from the Type and Media programme at The Royal Academy of Art in The Hague as well as an MA in graphic design from J. E. Purkyně University in Czech Republic. After an internship at Mota Italic in Berlin she specialised in TrueType hinting at Fontwerk. She has been working independently since 2013 and regularly collaborates with Rosetta as hinting specialist and type designer.
Assistance
Titus Nemeth
Design
Johannes Neumeier
Font engineering