Nov 2023 |
Type releases |
Handjet Korean by Ha-neul Park and Lee-su Yoo
|
Nov 2023 |
Our projects |
Hyperglot v2
|
Oct 2023 |
Type releases |
Clone PE by Lasko Džurovski
|
Oct 2023 |
Type releases |
Updated Clone Rounded PE by Lasko Džurovski
|
Sep 2023 |
Type releases |
Adapter Tamil by Aadarsh Rajan
|
Jun 2023 |
Type releases |
Mehraban Book Pahlavi by Amir Mahdi Moslehi
|
Jun 2023 |
Type releases |
Mehraban Avestan by Amir Mahdi Moslehi
|
Jun 2023 |
Type releases |
Mehraban Arabic by Amir Mahdi Moslehi
|
May 2023 |
Type releases |
Nova Caps by Tania Chacana
|
May 2023 |
Our projects |
Online book “Legibility: how and why typography affects ease of reading” by Mary Dyson
|
Nov 2022 |
Type releases |
Adapter Mono PE by Tania Chacana and David Březina
|
Nov 2022 |
Lectures |
Type at the centre of branding at Brno Bold, Brno, Czechia
|
Jul 2022 |
Interviews |
An interview for TypeParis
|
Jul 2022 |
Lectures |
“Questioning the obvious: different ways of seeing” at ICTVC 8, Thessaloniki, Greece
|
Jul 2022 |
Lectures |
“Hyperglot – a database and tools for discovering language support in fonts” at ICTVC 8, Thessaloniki, Greece
|
Jun 2022 |
Lectures |
Guest visit and public lecture at Type Paris, France
|
Jun 2022 |
Lectures |
Guest lecture at ANRT, Nancy, France
|
2022 |
Academic |
The sequel to exploring disfluency: Do we remember the visual appearance of words?
|
2022 |
Academic |
Elements of multi-script typography: paragraphs and pixels
|
2022 |
Academic |
Elements of multi-script typography: codes, keys, and word shapes
|
May 2021 |
Interviews |
“How important is harmony when designing multiscript type systems?” in Type 01 magazine
|
May 2021 |
Our projects |
Design Regression
|
Mar 2021 |
Our projects |
Hyperglot
|
Mar 2021 |
Interviews |
“Czech typography yesterday, today, and tomorrow” on Czech TV
|
2021 |
Academic |
Elements of multi-script typography: introduction
|
2021 |
Academic |
Exploring disfluency: Are designers too sensitive to harder-to-read typefaces?
|
2021 |
Academic |
Review: Character complexity and redundancy in writing systems over human history
|
2021 |
Articles |
Ten years of Rosetta
|
2021 |
Lectures |
Several notes on modernism in type at VOŠG, Hellichova, Prague, Czechia
|
2021 |
Lectures |
Several notes on modernism in type at SSUD, Brno, Czechia
|
2021 |
Custom fonts |
Multi-script Reimin UD for Morisawa
|
Jul 2020 |
Type releases |
Gridlite PE by David Březina
|
May 2020 |
Our projects |
Universal Specimen
|
Mar 2020 |
Type releases |
Adapter Arabic by Borna Izadpanah
|
Nov 2019 |
Type releases |
Adapter Hebrew by Sláva Jevčinová
|
Nov 2019 |
Custom fonts |
Avory for Pilsner Urquell
|
Oct 2019 |
Type releases |
Adelphi PE by Nick Job
|
May 2019 |
Type releases |
Adapter PE by William Montrose, Sláva Jevčinová, David Březina
|
2019 |
Lectures |
“Challenging design training: do designers suffer more with harder to read typefaces?” at ICTVC 7, Patras, Greece
|
2019 |
Lectures |
Character similarity and coherence in typeface design at ICTVC 7, Patras, Greece
|
2019 |
Lectures |
Several notes on modernism in type at FaVU VUT, Brno, Czechia
|
2019 |
Workshops |
“Design of a logotype for an unfamiliar script” at the Masaryk University, Brno, Czechia
|
2019 |
Awards |
Modern Cyrillic 2019 for Adapter PE
|
2019 |
Awards |
Modern Cyrillic 2019 for Avory PE
|
Dec 2018 |
Type releases |
Handjet by David Březina
|
Oct 2018 |
Type releases |
Marlik by Borna Izadpanah
|
2018 |
Academic |
Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin
|
2018 |
Lectures |
Recent projects from Rosetta at FaVU VUT, Brno, Czechia
|
2018 |
Lectures |
Recent projects from Rosetta at Brno Design Days, Czechia
|
2018 |
Lectures |
Character similarity and coherence in typeface design at Graphemics in 21st century, Brest, France
|
2018 |
Interviews |
“Forget your knowledge: Interview with David Březina of Rosetta Type” in Bi-Scriptual book
|
2018 |
Awards |
Silver from European Design Awards 2018 for Avory PE
|
2018 |
Custom fonts |
Multi-script Clarimo UD for Morisawa
|
Nov 2017 |
Type releases |
Corsair PE by Ksenya Samarskaya and associates
|
Oct 2017 |
Lectures |
Collaboration and design processes at Rosetta at Wroclaw Type Forum, Wrocław, Poland
|
May 2017 |
Type releases |
Avory PE by Sláva Jevčinová
|
2017 |
Lectures |
Some of the things I do not know about typefaces at Typostammtisch, Berlin, Germany
|
2017 |
Lectures |
Recent projects from Rosetta at Typostammtisch, Berlin, Germany
|
2017 |
Awards |
Typographica’s Typefaces of 2017 for Avory PE
|
2017 |
Custom fonts |
Branding fonts for DFL/Bundesliga
|
Nov 2016 |
Type releases |
Skolar Sans Arabic by Titus Nemeth
|
Sep 2016 |
Type releases |
Neacademia Small Text by Sergei Egorov
|
Jun 2016 |
Custom fonts |
Eczar for Google
|
May 2016 |
Type releases |
Nassim Arabic Pro by Titus Nemeth
|
May 2016 |
Type releases |
Nassim Latin update (italics) by Titus Nemeth
|
Apr 2016 |
Type releases |
Gitan Latin by Florian Runge
|
Mar 2016 |
Interviews |
Developing Yrsa and Rasa: An Interview with Anna Giedryś of Rosetta Type in TypeThursday
|
Feb 2016 |
Type releases |
Skolar Sans PE by David Březina, Sláva Jevčinová, and Rafael Saraiva
|
2016 |
Workshops |
“A brief introduction to Python for data visualisation” at the University of Reading, UK
|
2016 |
Exhibitions |
Granshan exhibition at ATypI Warszaw, Poland
|
2016 |
Awards |
Honourable mention, Pangramme exhibition 2016 for Gitan Latin
|
2016 |
Custom fonts |
Yrsa and Rasa for Google
|
2016 |
Custom fonts |
Skolar Sans for RFE/RL
|
Oct 2015 |
Type releases |
Clone Rounded PE by Lasko Džurovski
|
Mar 2015 |
Type releases |
Neacademia Subhead by Sergei Egorov
|
2015 |
Lectures |
Recent projects from Rosetta at Du monde entier au cœur du monde, Paris, France
|
2015 |
Lectures |
Letters of Rosetta: from Brno to Bern at TypEast, Bern, Switzerland
|
2015 |
Workshops |
“A brief introduction to Python for type designers.” at the University of Reading, UK
|
2015 |
Awards |
Typographica’s Best of 2015 for Clone Rounded PE
|
2015 |
Awards |
Silver from European Design Awards 2015 for Skolar Sans PE
|
2015 |
Awards |
Special mention for Greek at Granshan 2015 for Skolar Sans PE
|
2015 |
Custom fonts |
WebOS fonts for LG
|
Nov 2014 |
Type releases |
Skolar Sans Latin by David Březina, Sláva Jevčinová, and Rafael Saraiva
|
Sep 2014 |
Interviews |
“Nowe Terytoria” in 2+3D
|
2014 |
Awards |
Bronze from European Design Awards 2014 for Eskorte Arabic and Eskorte Latin
|
2014 |
Awards |
Typographica’s Best of 2014 for Skolar Sans PE
|
Oct 2013 |
Type releases |
Neacademia Display by Sergei Egorov
|
Sep 2013 |
Our projects |
TypeTalks 3 conference in Brno
|
Sep 2013 |
Our projects |
TypeShorts event in Brno
|
Jun 2013 |
Interviews |
“Rosetta Type Foundry” in Creative Characters
|
Feb 2013 |
Type releases |
Eskorte Arabic by Elena Scheider
|
Feb 2013 |
Type releases |
Eskorte Latin by Elena Scheider
|
2013 |
Articles |
A Critical Approach To Typefaces
|
2013 |
Lectures |
Challenges in multilingual type design (II) at ATypI, Amsterdam, Netherlands
|
2013 |
Lectures |
Rethinking type experience at Smashing conference, Freiburg im Breisgau, Germany
|
2013 |
Workshops |
“Concepts for originality in typeface design and general feedback.” at the University of Reading, UK
|
2013 |
Exhibitions |
Granshan exhibition in Bangkok, Thailand
|
2013 |
Awards |
Typographica’s Best of 2013 for Arek Armenian and Arek Latin
|
2013 |
Awards |
First prize for Arabic at Granshan 2013 for Eskorte Arabic and Eskorte Latin
|
2013 |
Awards |
Typographica’s Favourites 2013 for Eskorte Arabic and Eskorte Latin
|
2013 |
Awards |
Second prize for Gujarati at Granshan 2013 for Skolar Gujarati
|
2013 |
Awards |
Communication Arts Typographic Annual 2013 for Sutturah
|
2013 |
Custom fonts |
Adobe Gujarati
|
Dec 2012 |
Type releases |
Arek Armenian by Khajag Apelian
|
Dec 2012 |
Type releases |
Arek Latin by Khajag Apelian
|
Nov 2012 |
Type releases |
Skolar Gujarati by David Březina
|
Jun 2012 |
Type releases |
Skolar Devanagari by Vaibhav Singh
|
Jun 2012 |
Our projects |
TypeShorts event in Brno
|
Jun 2012 |
Interviews |
Award-winning Czech typographer takes on Gujarati in Radio Praha
|
Apr 2012 |
Interviews |
Interview with David Březina on Czech TV
|
Mar 2012 |
Interviews |
“This Czech is a Gujarati ‘type’.” in Times of India
|
2012 |
Academic |
Typography follows linguistics?: on some parallels between the Prague School of Linguistics and Karel Teige’s typographic program
|
2012 |
Articles |
Indian type: An opportunity for real design innovation
|
2012 |
Articles |
Challenges in multilingual type design
|
2012 |
Lectures |
Challenges in Indian type design at Association of British Scholars, Vadodara, India
|
2012 |
Lectures |
Challenges in multilingual type design at Typography day, Mumbai, India
|
2012 |
Lectures |
Challenges in multilingual type design at NID, Ahmedabad, India
|
2012 |
Lectures |
Specifying type consistency at The University of the Arts London, UK
|
2012 |
Workshops |
“Type design workshop focused on webfonts.” at Seznam.cz, Brno, Czechia
|
2012 |
Workshops |
“Concepts for originality in type design.” at the University of Reading, UK
|
2012 |
Workshops |
“Type design workshop/feedback.” at Central Saint Martins, University of the Arts London, UK
|
2012 |
Exhibitions |
International Biennial of Graphic design in Brno, Czechia
|
2012 |
Our projects |
David Březina was a guest editor of TYPO 49 focused on Indian typography
|
2012 |
Awards |
Typographica’s Best of 2012 for Nassim Arabic and Nassim Latin
|
2012 |
Awards |
Typographica’s Best of 2012 for Neacademia
|
2012 |
Awards |
First prize for Devanagari at Granshan 2012 for Skolar Devanagari
|
2012 |
Awards |
Typographica’s Best of 2012 for Sutturah
|
2012 |
Awards |
Certificate of Excellence in Type Design, TDC2 2012 for Sutturah
|
2012 |
Awards |
Second prize, Granshan 2012 (Display) for Sutturah
|
Nov 2011 |
Type releases |
Sutturah by Octavio Pardo
|
Jun 2011 |
Type releases |
Nassim Arabic by Titus Nemeth
|
Jun 2011 |
Type releases |
Nassim Latin by Titus Nemeth
|
Jun 2011 |
Type releases |
Neacademia Text by Sergei Egorov
|
Jun 2011 |
Our projects |
TypeTalks 2 conference in Poznań
|
Jun 2011 |
Our projects |
TypeShorts event in Poznań
|
Jan 2011 |
Type releases |
Aisha Arabic by Titus Nemeth
|
Jan 2011 |
Type releases |
Aisha Latin by Titus Nemeth
|
Jan 2011 |
Type releases |
Skolar PE by David Březina
|
Jan 2011 |
Our projects |
Rosetta Type Foundry officially launched
|
2011 |
Lectures |
Type is the most important thing on the Web at WebExpo, Prague, Czechia
|
2011 |
Lectures |
Specifying type consistency at TypoTopo talks, Bratislava, Slovakia
|
2011 |
Workshops |
“Type design workshops.” at FaVU VUT, Brno, Czechia
|
2011 |
Workshops |
“Type design workflow and running a Type Foundry.” at the University of Reading, UK
|
2011 |
Interviews |
Interview with David Březina in 8 Faces magazine
|
2011 |
Interviews |
“Vytvářet písma je jako mluvit různými hlasy” in Masaryk University magazine
|
2011 |
Awards |
Nominated for the German Design Award 2011 for Aisha Arabic and Aisha Latin
|
2011 |
Awards |
Creative Review Type Annual 2011 for Aisha Arabic and Aisha Latin
|
2011 |
Awards |
ATypI Letter.2 award 2011 for Arek Armenian and Arek Latin
|
2011 |
Awards |
ATypI Letter.2 award 2011 for Nassim Arabic and Nassim Latin
|
Jun 2010 |
Our projects |
TypeTalks conference in Brno
|
2010 |
Lectures |
Thinking in typeface design at ICTVC 3 conference, Nicosia, Cyprus
|
2010 |
Lectures |
General issues in multi-script typography at 4th International ConTeXt Meeting, Czechia
|
2010 |
Lectures |
On typeface design at University of Ostrava, Czechia
|
2010 |
Lectures |
On typeface design at Academy of Fine Arts in Poznań, Poland
|
2010 |
Workshops |
“On type” at Pellico5 workshops, Brno, Czechia
|
2010 |
Exhibitions |
International Biennial of Graphic design in Brno, Czechia
|
2010 |
Exhibitions |
Collective type design exhibition at Klingspor-Museum Offenbach, Germany
|
2010 |
Awards |
Certificate of Excellence in Type Design, TDC2 2010 for Aisha Arabic and Aisha Latin
|
2010 |
Awards |
First prize for Armenian at Granshan 2010 for Arek Armenian and Arek Latin
|
2010 |
Custom fonts |
BBC Nassim Arabic
|
2009 |
Articles |
On diacritics
|
2009 |
Workshops |
“Type design workshops” at FaVU VUT, Brno, Czechia
|
2009 |
Workshops |
“Multilingual typography workshop” at Sign and typography studio of The Academy of Fine Arts in Poznań, Poland
|
2009 |
Workshops |
“Type design process & automation” at the University of Reading, UK
|
2009 |
Workshops |
“A brief introduction to Python for FontLab” at Monotype Imaging, Salfords, UK
|
2009 |
Exhibitions |
Modern Cyrillic exhibition, ATypI Mexico City, Mexico
|
2009 |
Awards |
Modern Cyrillic 2009 for Neacademia
|
2009 |
Awards |
First prize for Cyrillic at Granshan 2009 for Skolar PE
|
2009 |
Awards |
Special Diploma in Modern Cyrillic 2009 for Skolar PE
|
2008 |
Articles |
Type Anatomy 1.0.
|
2008 |
Lectures |
General issues in multi-script typography at ATypI conference, Saint Petersburg, Russia
|
2008 |
Exhibitions |
International Biennial of Graphic design in Brno, Czechia
|
2008 |
Awards |
I love typography’s best of 2008 for Skolar Devanagari and Skolar PE
|
2008 |
Awards |
Second prize in European Design Awards 2008 for Skolar Gujarati and Skolar PE
|
2007 |
Academic |
The evolution of the Gujarati typographic script
|
2007 |
Academic |
General issues in multi-script typography
|
2007 |
Awards |
Certificate of Excellence in Type Design, TDC2 2007 for Nassim Arabic and Nassim Latin
|
2007 |
Awards |
First prize from European Design Awards 2007 for Nassim Arabic and Nassim Latin
|
2007 |
Awards |
Shortlisted for ‘Design of the Year 2007’, Design Museum London for Nassim Arabic and Nassim Latin
|